Engraving by Caspar Boutats, 1674
€200.00
This authentic antique print, measuring 17 cm × 26 cm , created by Caspar Boutats as a fine example of Engraving work from the 17th Century (1600s).
It is preserved in Very Good condition and displays remarkable period craftsmanship.
1 in stock
This rare 17th-century antique engraving of Texel shows the Dutch island as it was back then. Caspar Boutats created the print after a design by J. Peeters in 1674. The finely detailed coastal view includes an inset of Den Helder, providing a unique look at maritime life in Noord Holland.
The engraving is prized for its precision and artistic quality. It is ideal for collectors of antique maps, old prints, and Dutch coastal scenes. This piece remains well-preserved and represents classic craftsmanship of the Dutch Golden Age.
Discover our entire collection by visiting our store located in the heart of Haarlem.
Caspar Boutats, also known as Gaspar Bouttats the Elder (circa 1640 – 1696), was a Flemish printmaker and engraver from Antwerp. Born into a family of engravers, he was the son of Frederik Bouttats the Elder and received training from his father. He was active during the Baroque period and became a prominent figure in the Antwerp Guild of Saint Luke, serving as its dean in 1690–1691. Boutats is known for his etchings and engravings mainly created for booksellers, including historical, topographical, and portrait works. Notably, he engraved scenes such as “The Massacre of St. Bartholomew” and “The Assassination of Henry IV,” and produced city views for important folio volumes. His work is valued for its artistic quality and historical significance, reflecting Baroque Flemish engraving traditions.
The 17th century greatly advanced mapmaking and printmaking, with copperplate engraving enabling cartographers to create detailed and accurate maps. During the Dutch Golden Age, increased trade and exploration boosted the demand for maps, turning map printing into a major industry. Skilled engravers carved designs into copper plates, applied ink, and pressed paper to produce fine prints. After printing, artisans hand-colored maps to enhance their beauty and clarity. Copperplate printing replaced woodcuts, offering smoother lines and finer details. Renowned mapmakers like Blaeu, Janssonius, and Hondius combined scientific knowledge with artistic skill. This era produced remarkable atlases, such as Joan Blaeu’s Atlas Maior. Maps not only charted geography but reflected political power, trade routes, and scientific discoveries. Printed maps became essential for navigation, colonization, and education. Dutch publishers led Europe’s map market, shaping global cartographic standards. These original maps remain prized for their detail and artistry, influencing future mapmaking and holding high value for collectors and museums today.
| Dimensions | 17 × 26 cm |
|---|---|
| Artist | |
| Condition | |
| Era | |
| Frame | No Frame |
| Orientation | |
| Publish Date | 1674 |
| Technique | Engraving |
Our antique prints are carefully packaged to ensure safe arrival.
Smaller prints are shipped in acid-free, flat protective packaging, while larger works are securely rolled and sent in a sturdy tube to preserve their condition.
Netherlands: €7.50 —
European Union: €15
Outside the EU: On request (contact us for an exact quote)
We offer custom framing for all prints, from classic antique frames to contemporary minimalist styles.
Choose any print from the collection
We discuss frame styles, materials & pricing
The print will be professionally framed and shipped via courier for maximum safety
If you would like your print framed, please contact us, we are happy to advise on styles and options.
Our highest classification. These prints are clean, bright, and exceptionally well-preserved, featuring a strong and crisp image. No notable imperfections.
Prints in this condition show a clean, sharp image. Paper quality or margin size may vary slightly. Minor age-related characteristics, such as small wormholes, light toning, or tiny separations may be present depending on the print date.
No major imperfections. Any minor flaws or historical repairs are fully noted in the product description. Overall a well-preserved and collectible piece.
These prints show noticeable imperfections such as foxing, weaker image strength, or longer separations, but remain collectible. All visible characteristics are clearly described.
