Hand-colored engraving by John Samuel Agar, Thomas Uwins, 1814
€80.00
This authentic antique print, measuring 25 cm × 30 cm , created by John Samuel Agar, Thomas Uwins as a fine example of Hand-colored engraving work from the 19th Century (1800s).
Published by R. Ackermann, it is preserved in Very Good condition and displays remarkable period craftsmanship.
1 in stock
Nobleman is a detailed hand-coloured engraving by John Samuel Agar after a drawing by Thomas Uwins. R. Ackermann published the print in London in 1814 as part of his famous History of Oxford. The image shows an Oxford nobleman in formal dress, standing with quiet dignity. Bright colours and precise lines reflect the elegance of the university’s academic and social traditions.
This Oxford nobleman engraving measures 30 x 25 cm and is in very good condition. The colours remain clear, and the print shows a strong impression. Collectors value this Oxford nobleman engraving for its fine craftsmanship, historical charm, and close connection to Ackermann’s celebrated depiction of Oxford life. VAT: Margingoods, no VAT.
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John Samuel Agar (1773–1858) was an English portrait painter and engraver. He exhibited his work at the Royal Academy between 1796 and 1806. Agar became known for his detailed engravings and paintings of notable figures in British society. His works often included delicate stipple engraving techniques. Collectors value Agar’s art for its fine craftsmanship and historical significance during the late 18th and early 19th centuries.
The 19th century marked the era of cartography, as mapmaking became professional, organized, and global. Scientists and surveyors used improved instruments and statistical methods, turning maps into trusted scientific documents with greater precision. Surveying advanced with triangulation, precise tools, and national topographic programs. Printing technology improved, adopting lithography and early color printing to produce clearer, richer maps. New thematic maps used techniques like choropleth, flow lines, and dot density to show data visually. Notably, Charles Minard pioneered multivariate mapping, combining multiple data themes on one map.
Map design reflected industrial and Victorian tastes, balancing detail and readability. Governments supported mapping societies to control territories at home and abroad. Maps became essential for urban planning, empire-building, and scientific research. The 19th century also fostered a global map culture, sharing knowledge internationally. Today, 19th-century maps are prized for their science and artistry. They laid the foundation for modern cartography, data visualization, and geographic information science, and are celebrated by collectors and institutions for their insight into industrial-age geography and culture.
| Dimensions | 25 × 30 cm |
|---|---|
| Artist | |
| Condition | |
| Era | |
| Frame | No Frame |
| Orientation | |
| Technique | Hand-colored engraving |
| Published by | R. Ackermann |
| Publish Date | 1814 |
Our antique prints are carefully packaged to ensure safe arrival.
Smaller prints are shipped in acid-free, flat protective packaging, while larger works are securely rolled and sent in a sturdy tube to preserve their condition.
Netherlands: €7.50 —
European Union: €15
Outside the EU: On request (contact us for an exact quote)
We offer custom framing for all prints, from classic antique frames to contemporary minimalist styles.
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We discuss frame styles, materials & pricing
The print will be professionally framed and shipped via courier for maximum safety
If you would like your print framed, please contact us, we are happy to advise on styles and options.
Our highest classification. These prints are clean, bright, and exceptionally well-preserved, featuring a strong and crisp image. No notable imperfections.
Prints in this condition show a clean, sharp image. Paper quality or margin size may vary slightly. Minor age-related characteristics, such as small wormholes, light toning, or tiny separations may be present depending on the print date.
No major imperfections. Any minor flaws or historical repairs are fully noted in the product description. Overall a well-preserved and collectible piece.
These prints show noticeable imperfections such as foxing, weaker image strength, or longer separations, but remain collectible. All visible characteristics are clearly described.
