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Icon civitatis Campensis – View of Kampen

Hand-colored engraving by Frans Hogenberg, Georg Braun, 1575

400.00

This authentic antique print, measuring 48.5 cm × 33 cm , created by Frans Hogenberg, Georg Braun as a fine example of Hand-colored engraving work from the 16th Century (1500s).

Published by Braun & Hogenberg, it is preserved in Good condition and displays remarkable period craftsmanship.

1 in stock

Full Description

Icon civitatis Campensis is a beautiful handcoloured engraving by Braun & Hogenberg, published in 1575. It comes from the famous atlas Civitates Orbis Terrarum, one of the earliest collections of city views. The image shows a wide view of Kampen on the IJssel River with towers, walls, and ships.

This antique view of Kampen measures 33 x 48.5 cm. The condition is good, and the back carries Latin text. The soft colours add warmth and highlight the city’s lively atmosphere. This antique view of Kampen appeals to collectors for its detail, history, and elegant design. VAT: Margingoods, no VAT.

Check out all our City views and our antique map collection at our store located in the historic heart of Haarlem.

About the Artist: Frans Hogenberg, Georg Braun

Frans Hogenberg (1535–1590) was a Flemish-German painter, engraver, and mapmaker born in Mechelen, Flanders. He is notable for his detailed engravings and maps, especially his contributions to the first modern atlas, “Theatrum Orbis Terrarum,” published in 1570 in collaboration with Abraham Ortelius. Hogenberg’s studio was renowned for creating panoramic city views and historical event engravings, including depictions of battles, massacres, and royal ceremonies related to the turbulent period of the Eighty Years’ War. His prints served as important historical records and propaganda tools. Hogenberg also produced allegorical and metaphorical works, and his engraving of the cartographer Mercator remains iconic. After facing religious persecution as a Protestant, he was banished from the Netherlands and settled in Cologne, where he continued his artistic work. His legacy includes highly valued illustrations that blend art, history, and cartography.

About the Era: 16th Century (1500s)

The 16th century saw a strong growth in mapmaking and printmaking. Copperplate engraving revolutionized cartography, helping mapmakers create more detailed and accurate maps. At the same time, exploration, trade, and religious changes increased Europe’s need for reliable maps. Engravers cut designs into copper plates, inked them, and pressed paper to produce clear images. Afterward, artisans hand-colored many maps to enhance their appeal. This method replaced earlier woodcut printing, allowing finer lines and richer details. Influential figures like Marcantonio Raimondi and Gerardus Mercator contributed to this progress, sometimes collaborating or engraving their own maps.

Core innovators Abraham Ortelius, Gerard Mercator, and Jodocus Hondius blended science and art in their atlases. Their maps represented not only geography but also political power and cultural pride, supporting education and navigation. Today, maps from this period remain highly valued for their beauty and historical importance, inspiring future cartographical work and prized by collectors and museums worldwide.

Additional information

Dimensions 48.5 × 33 cm
Artist

,

Condition

Era

Frame

No Frame

Orientation

Technique

Hand-colored engraving

Published by

Braun & Hogenberg

Publish Date

1575

Shipping & Delivery

Our antique prints are carefully packaged to ensure safe arrival.
Smaller prints are shipped in acid-free, flat protective packaging, while larger works are securely rolled and sent in a sturdy tube to preserve their condition.

Shipping Rates

Netherlands: €7.50 — 

European Union: €15

Outside the EU: On request (contact us for an exact quote)

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Condition of this piece: Good

Good (Verso Latin text at one page)

Very Fine

Our highest classification. These prints are clean, bright, and exceptionally well-preserved, featuring a strong and crisp image. No notable imperfections.

Fine

Prints in this condition show a clean, sharp image. Paper quality or margin size may vary slightly. Minor age-related characteristics, such as small wormholes, light toning, or tiny separations may be present depending on the print date.

Very Good

No major imperfections. Any minor flaws or historical repairs are fully noted in the product description. Overall a well-preserved and collectible piece.

Good

These prints show noticeable imperfections such as foxing, weaker image strength, or longer separations, but remain collectible. All visible characteristics are clearly described.

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