Engraving by Anna C. Brouwer, 1796
€100.00
This authentic antique print, measuring 9.5 cm × 7.5 cm , created by Anna C. Brouwer as a fine example of Engraving work from the 18th Century (1700s).
Published by van Ollefen and Bakker, it is preserved in Very Good condition and displays remarkable period craftsmanship.
1 in stock
This Heemskerk Village Engraving titled ‘Het Dorp Heemskerk’ is a charming late 18th‑century print by Anna C. Brouwer. Published in 1796 by van Ollefen and Bakker, it shows the village of Heemskerk in North Holland’s Kennemerland region. The small oval image is finely engraved, capturing local buildings, trees, and the calm character of the rural landscape. A printed poem below the scene adds a poetic touch that enhances its nostalgic appeal.
The engraving measures approximately 7.5 x 9.5 cm and is in very good condition. Its neat lines, delicate shading, and balanced composition make it a lovely example of Dutch village views from the period.
This Heemskerk Village Engraving is ideal for collectors of antique prints or admirers of local Dutch heritage. Its small size, historic charm, and literary detail make it a special piece of late 18th‑century printmaking.
Anna Catharina Brouwer was a Dutch engraver, etcher, and draughtswoman active primarily between 1793 and 1801 in Amsterdam. She is known for her detailed and skillful printmaking work during the late 18th century. Likely the daughter of Cornelis Brouwer, she contributed to the artistic scene in Amsterdam with her engraving and drawing talents. Collectors value her work for its craftsmanship and historical significance as an example of female artistry in Dutch printmaking during that era. Her works are appreciated for their technical precision and artistic quality, offering insight into Dutch art and print culture of the time.
During the 18th century, mapmaking became more scientific and precise. Improved instruments like the telescope and chronometer helped cartographers increase accuracy, shifting maps from decorative art to factual documents. Copperplate engraving stayed as the main printing method, producing fine lines, while hand-coloring added visual impact. French cartographers, such as the Cassini family, led national surveys with geodetic measurements and triangulation, while Dutch mapmakers like Joan Blaeu enhanced printing and atlas quality, ushering in a golden age of atlases.
Maps began including more information and notes to help users, and ornate decorations mostly gave way to scientific clarity, except for cartouches and borders. National and colonial ambitions guided map production to aid navigation and territorial claims. By the late 18th century, large-scale surveys set modern cartography standards. Today, 18th-century maps mix scientific knowledge with artistry, are prized by collectors, and have influenced later cartographic methods. They offer insights into Enlightenment exploration and geography.
| Dimensions | 9.5 × 7.5 cm |
|---|---|
| Artist | |
| Condition | |
| Era | |
| Frame | No Frame |
| Orientation | |
| Technique | Engraving |
| Published by | van Ollefen and Bakker |
| Publish Date | 1796 |
Our antique prints are carefully packaged to ensure safe arrival.
Smaller prints are shipped in acid-free, flat protective packaging, while larger works are securely rolled and sent in a sturdy tube to preserve their condition.
Netherlands: €7.50 —
European Union: €15
Outside the EU: On request (contact us for an exact quote)
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The print will be professionally framed and shipped via courier for maximum safety
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Our highest classification. These prints are clean, bright, and exceptionally well-preserved, featuring a strong and crisp image. No notable imperfections.
Prints in this condition show a clean, sharp image. Paper quality or margin size may vary slightly. Minor age-related characteristics, such as small wormholes, light toning, or tiny separations may be present depending on the print date.
No major imperfections. Any minor flaws or historical repairs are fully noted in the product description. Overall a well-preserved and collectible piece.
These prints show noticeable imperfections such as foxing, weaker image strength, or longer separations, but remain collectible. All visible characteristics are clearly described.
