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Adami

Lithograph by , 1980

100.00

This authentic antique print, measuring 42 cm × 62 cm , created by as a fine example of Lithograph work from the 20th Century (1900s).

It is preserved in Very Good condition and displays remarkable period craftsmanship.

1 in stock

Full Description

Scanner et Crucifixions (Salpêtrière) is an original lithograph by the Italian artist Valerio Adami, created in 1980. Printed in vivid colours and bold outlines, this work reflects Adami’s distinctive style, combining abstract form and symbolic meaning. The composition explores contrast, structure, and emotion through a refined graphic language.

This lithograph measures 62 x 42 cm and is recorded in Maeght #2139. The print stands out for its expressive clarity and carefully balanced shapes. Collectors appreciate this Adami lithograph 1980 for its strong modern aesthetic, cultural significance, and excellent print quality. VAT: Margingoods.

Explore all our prints at our store located in the historic heart of Haarlem.

About the Artist:

Unfortunately there is no information about this artist yet, we will update this section when possible.

About the Era: 20th Century (1900s)

The 20th century transformed cartography through technological innovation, global exploration, and the rise of digital mapping. Aerial photography, satellite imagery, and geodesy revolutionized accuracy, replacing centuries-old surveying methods. Governments and international agencies undertook massive mapping projects to support global navigation, aviation, and urban planning. World wars accelerated military cartography, leading to precise topographic and aeronautical charts. Thematic cartography expanded through the use of statistics, enabling social, environmental, and economic maps that visualized complex global data.

Advances in photogrammetry and computer science shifted mapmaking from manual drafting to automated, data-driven production. By the late 20th century, Geographic Information Systems (GIS) redefined how maps were made, stored, and analyzed—introducing dynamic, interactive cartography for both professionals and the public. Atlases, road maps, and educational maps became everyday tools, blending graphic design with geographic accuracy. The 20th century thus marks cartography’s transition from art and measurement to a digital, analytical, and globally integrated discipline—forming the bridge between traditional mapmaking and modern geospatial technology.

Additional information

Dimensions 42 × 62 cm
Condition

Era

Frame

No Frame

Orientation

Technique

Lithograph

Publish Date

1980

Shipping & Delivery

Our antique prints are carefully packaged to ensure safe arrival.
Smaller prints are shipped in acid-free, flat protective packaging, while larger works are securely rolled and sent in a sturdy tube to preserve their condition.

Shipping Rates

Netherlands: €7.50 — 

European Union: €15

Outside the EU: On request (contact us for an exact quote)

Framing Options

We offer custom framing for all prints, from classic antique frames to contemporary minimalist styles.

How Framing Works

Choose any print from the collection

We discuss frame styles, materials & pricing

The print will be professionally framed and shipped via courier for maximum safety

If you would like your print framed, please contact us, we are happy to advise on styles and options.

DeVries DeVries compact Black Frame
DeVries DeVries compact Black and gold/bronce Frame
DeVries DeVries Black and brown Frame

Contact Us

For any special arrangements, you can contact us directly or use the form below.

Condition of this piece: Very Good

Very Fine

Our highest classification. These prints are clean, bright, and exceptionally well-preserved, featuring a strong and crisp image. No notable imperfections.

Fine

Prints in this condition show a clean, sharp image. Paper quality or margin size may vary slightly. Minor age-related characteristics, such as small wormholes, light toning, or tiny separations may be present depending on the print date.

Very Good

No major imperfections. Any minor flaws or historical repairs are fully noted in the product description. Overall a well-preserved and collectible piece.

Good

These prints show noticeable imperfections such as foxing, weaker image strength, or longer separations, but remain collectible. All visible characteristics are clearly described.

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