Lithograph by Petrus Johannes Schotel, 1850–1855
€400.00
This authentic antique print, measuring 24 cm × 38 cm , created by Petrus Johannes Schotel as a fine example of Lithograph work from the 19th Century (1800s).
Published by Buffa, Zonen, it is preserved in Very Good condition and displays remarkable period craftsmanship.
1 in stock
This antique print depicts the Sea Battle of Bergen in Norway on 13 August 1665. It was drawn by Petrus Johannes Schotel and printed by R. de Vries Jr. The print appeared in “Heldendaden der Nederlanders ter zee” (1850–1855), published by Buffa in Amsterdam.
Schotel captures the fierce naval fight with detailed ships and action. The hand-colouring enhances the dramatic scene. Four pages of original Dutch text describe the battle. The print is in very good condition.
Collectors of maritime history and naval war memorabilia will value this striking and historic piece. It is a fine example of 19th-century Dutch maritime prints.
Petrus Johannes Schotel (1808–1865) was a notable 19th-century Dutch marine painter from Dordrecht. He was the son of Johannes Christiaan Schotel, a prominent marine artist, and followed in his father’s artistic footsteps by specializing in seascapes, river views, and harbor scenes. Petrus Johannes worked as a drawing teacher at the marine school in Medemblik and produced hundreds of designs throughout his life. His works are recognized for their technical skill and detailed depiction of maritime subjects. His artistic legacy continued in his family, with his daughter Petronella Elisabeth and sister Christina Petronella also becoming painters. Schotel’s paintings remain sought after in auctions, especially in the Netherlands, Denmark, and New York.
The 19th century marked the era of cartography, as mapmaking became professional, organized, and global. Scientists and surveyors used improved instruments and statistical methods, turning maps into trusted scientific documents with greater precision. Surveying advanced with triangulation, precise tools, and national topographic programs. Printing technology improved, adopting lithography and early color printing to produce clearer, richer maps. New thematic maps used techniques like choropleth, flow lines, and dot density to show data visually. Notably, Charles Minard pioneered multivariate mapping, combining multiple data themes on one map.
Map design reflected industrial and Victorian tastes, balancing detail and readability. Governments supported mapping societies to control territories at home and abroad. Maps became essential for urban planning, empire-building, and scientific research. The 19th century also fostered a global map culture, sharing knowledge internationally. Today, 19th-century maps are prized for their science and artistry. They laid the foundation for modern cartography, data visualization, and geographic information science, and are celebrated by collectors and institutions for their insight into industrial-age geography and culture.
| Dimensions | 24 × 38 cm |
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| Artist | |
| Condition | |
| Era | |
| Frame | No Frame |
| Orientation | |
| Publish Date | 1850–1855 |
| Published by | Buffa, Zonen |
| Technique | Lithograph |
Our antique prints are carefully packaged to ensure safe arrival.
Smaller prints are shipped in acid-free, flat protective packaging, while larger works are securely rolled and sent in a sturdy tube to preserve their condition.
Netherlands: €7.50 —
European Union: €15
Outside the EU: On request (contact us for an exact quote)
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Our highest classification. These prints are clean, bright, and exceptionally well-preserved, featuring a strong and crisp image. No notable imperfections.
Prints in this condition show a clean, sharp image. Paper quality or margin size may vary slightly. Minor age-related characteristics, such as small wormholes, light toning, or tiny separations may be present depending on the print date.
No major imperfections. Any minor flaws or historical repairs are fully noted in the product description. Overall a well-preserved and collectible piece.
These prints show noticeable imperfections such as foxing, weaker image strength, or longer separations, but remain collectible. All visible characteristics are clearly described.