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Rome – Palazzo Corsini

Contemporary hand-colored engraving by Balth. Frederic Leizelt, 1760

250.00

This authentic antique print, measuring 44 cm × 32 cm , created by Balth. Frederic Leizelt as a fine example of Contemporary hand-colored engraving work from the 18th Century (1700s).

Published by Academie Imperiale d'Empire des Arts libereaux, it is preserved in Very Good condition and displays remarkable period craftsmanship.

1 in stock

Full Description

This Rome Palazzo Corsini Engraving titled ‘Palais Corsini’ is a beautiful 18th‑century optical view by Balthasar Frederic Leizelt after Barbault. Published around 1760 by the Academie Imperiale d’Empire des Arts Libereaux in Augsburg, it depicts the grand late‑baroque Palazzo Corsini in Rome. The detailed perspective view, also known as a Vue d’Optique or Guckkastenblatt, was designed for use with a zograscope, giving depth and brightness to the image.

The engraving includes a subtitle listing several landmarks: Petit Palais Farnese, the churches and monasteries of St. Jacques, Regina Coeli, and Delle Scalette, along with the Porte du S. Esprit. Each building appears carefully rendered, showing both architectural precision and lively composition.

The print measures 32 x 44 cm and is in very good condition. Contemporary hand colouring enhances the rich tones of the buildings and the bustling Roman atmosphere.

This Rome Palazzo Corsini Engraving is a fine example of 18th‑century Augsburg craftsmanship. Collectors of optical prints and Italian architecture will admire its vivid perspective, historical detail, and artistic quality.

About the Artist: Balth. Frederic Leizelt

Unfortunately, there is no information available about this artist yet. We will update this section when possible.

About the Era: 18th Century (1700s)

During the 18th century, mapmaking became more scientific and precise. Improved instruments like the telescope and chronometer helped cartographers increase accuracy, shifting maps from decorative art to factual documents. Copperplate engraving stayed as the main printing method, producing fine lines, while hand-coloring added visual impact. French cartographers, such as the Cassini family, led national surveys with geodetic measurements and triangulation, while Dutch mapmakers like Joan Blaeu enhanced printing and atlas quality, ushering in a golden age of atlases.

Maps began including more information and notes to help users, and ornate decorations mostly gave way to scientific clarity, except for cartouches and borders. National and colonial ambitions guided map production to aid navigation and territorial claims. By the late 18th century, large-scale surveys set modern cartography standards. Today, 18th-century maps mix scientific knowledge with artistry, are prized by collectors, and have influenced later cartographic methods. They offer insights into Enlightenment exploration and geography.

Additional information

Dimensions 44 × 32 cm
Artist

Condition

Era

Frame

No Frame

Orientation

Technique

Contemporary hand-colored engraving

Published by

Academie Imperiale d'Empire des Arts libereaux

Publish Date

1760

Shipping & Delivery

Our antique prints are carefully packaged to ensure safe arrival.
Smaller prints are shipped in acid-free, flat protective packaging, while larger works are securely rolled and sent in a sturdy tube to preserve their condition.

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Netherlands: €7.50 — 

European Union: €15

Outside the EU: On request (contact us for an exact quote)

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Condition of this piece: Very Good

Very Fine

Our highest classification. These prints are clean, bright, and exceptionally well-preserved, featuring a strong and crisp image. No notable imperfections.

Fine

Prints in this condition show a clean, sharp image. Paper quality or margin size may vary slightly. Minor age-related characteristics, such as small wormholes, light toning, or tiny separations may be present depending on the print date.

Very Good

No major imperfections. Any minor flaws or historical repairs are fully noted in the product description. Overall a well-preserved and collectible piece.

Good

These prints show noticeable imperfections such as foxing, weaker image strength, or longer separations, but remain collectible. All visible characteristics are clearly described.

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