Mezzotint engraving by Johann Wilhelm Weinmann, 1737
€275.00
This authentic antique print, measuring 21.1 cm × 32.4 cm , created by Johann Wilhelm Weinmann as a fine example of Mezzotint engraving work from the 18th Century (1700s).
Published by Johann Wilhelm Weinmann, it is preserved in Very Good condition and displays remarkable period craftsmanship.
1 in stock
This Antique anemone print shows a. Anemone hortensis, b. Anemone flore pleno colore, c. Anemone flore pleno albo, d. Anemone monstrosa. It depicts four varieties of the anemone flower with fine detail and vivid colours.
The mezzotint engraving was printed in colour and finished by hand. It comes from Phytanthoza Iconographia, published by Johann Wilhelm Weinmann in 1737. The plate combines scientific accuracy with decorative charm, making it both educational and visually appealing.
The image measures 32.4 × 21.1 cm and is in very good condition. The colours remain fresh and bright. Collectors value this antique anemone print for its rarity, delicate hand-colouring, and importance in early botanical illustration.
VAT: Margin goods, no VAT charged.
Johann Wilhelm Weinmann (1683–1741) was a German apothecary and botanist best known for creating the florilegium Phytanthoza iconographia between 1737 and 1745. Born in Gardelegen, he settled in Regensburg as an apothecary, where his flourishing business allowed him to pursue his botanical interests. Weinmann established a botanical garden and published several works on medicinal plants.
His Phytanthoza iconographia is an ambitious illustrated botanical series consisting of eight folio volumes with over 1,000 hand-colored engravings of thousands of plants. This work employed notable illustrators such as Georg Dionysius Ehret and used innovative mezzotint printing techniques. The florilegium is highly regarded for its artistic quality and accuracy and influenced botanical illustration significantly.
During the 18th century, mapmaking became more scientific and precise. Improved instruments like the telescope and chronometer helped cartographers increase accuracy, shifting maps from decorative art to factual documents. Copperplate engraving stayed as the main printing method, producing fine lines, while hand-coloring added visual impact. French cartographers, such as the Cassini family, led national surveys with geodetic measurements and triangulation, while Dutch mapmakers like Joan Blaeu enhanced printing and atlas quality, ushering in a golden age of atlases.
Maps began including more information and notes to help users, and ornate decorations mostly gave way to scientific clarity, except for cartouches and borders. National and colonial ambitions guided map production to aid navigation and territorial claims. By the late 18th century, large-scale surveys set modern cartography standards. Today, 18th-century maps mix scientific knowledge with artistry, are prized by collectors, and have influenced later cartographic methods. They offer insights into Enlightenment exploration and geography.
| Dimensions | 21.1 × 32.4 cm |
|---|---|
| Artist | |
| Condition | |
| Era | |
| Frame | No Frame |
| Orientation | |
| Technique | Mezzotint engraving |
| Published by | Johann Wilhelm Weinmann |
| Publish Date | 1737 |
Our antique prints are carefully packaged to ensure safe arrival.
Smaller prints are shipped in acid-free, flat protective packaging, while larger works are securely rolled and sent in a sturdy tube to preserve their condition.
Netherlands: €7.50 —
European Union: €15
Outside the EU: On request (contact us for an exact quote)
We offer custom framing for all prints, from classic antique frames to contemporary minimalist styles.
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The print will be professionally framed and shipped via courier for maximum safety
If you would like your print framed, please contact us, we are happy to advise on styles and options.
Our highest classification. These prints are clean, bright, and exceptionally well-preserved, featuring a strong and crisp image. No notable imperfections.
Prints in this condition show a clean, sharp image. Paper quality or margin size may vary slightly. Minor age-related characteristics, such as small wormholes, light toning, or tiny separations may be present depending on the print date.
No major imperfections. Any minor flaws or historical repairs are fully noted in the product description. Overall a well-preserved and collectible piece.
These prints show noticeable imperfections such as foxing, weaker image strength, or longer separations, but remain collectible. All visible characteristics are clearly described.
